poetry and politics thoughts--gathering

Anyone who says that political writing is bad writing probably doesn't understand what politics is.

"I am the world economy and I don't want to be stimulated." --Joanne Kyger

"--You have repeatedly defined the difference between making a political film and making a film politically.
--Yes..as Brecht already said it's not important to know what are hte real things but rather how things are real."

--Jean-luc Godard, as quoted by Cha in her preface to Apparatus as quoted by Juliana Spahr in Everybody's Autonomy.

The Multitude

"We have power in ourselves to do it, but it is a
power that we have no power to do; for if he show us
his wounds and tell us his deeds, we are to put our
tongues into those wounds and speak for them; so, if
he tell us his noble deeds, we must also tell him
our noble acceptance of them. Ingratitude is
monstrous, and for the multitude to be ingrateful,
were to make a monster of the multitude: of the
which we being members, should bring ourselves to be
monstrous members." --Corlionus

trying not to war

Does it matter to him? That me, who I was not (being a woman)--who could not have been drafted. He can’t go to war either, being too old in the ground. He is waiting for them to fall down--there in with him, as much of him as is still left. I want it with him there, underneath too, yes with it, will a woman?

Fallen (between two parked cars)

Pliny I & II

I stepped on a bird this morning. It had fallen between
two parked cars. My boot-heel made it make a quiet,

sobbing noise, not at all like birdsong. It was
brittle and soft at once, like matchsticks inside
chewing gum. As a child in Rome, I dreamed someday
I would be Emerson’s “transparent eyeball.” I tried
different ways to disappear: I wore a football helmet
everywhere. What I found out was: you can’t
be a transparent eyeball in a football helmet.
I feel better in the dark. I compare the dark
to chocolate: some rich, naughty substance covering
my body. That would be invisible—to be dipped in chocolate.
That’s no football helmet. What if pain turned
the bird inside out, what if its own scale were volcanic?
You’ve got to get yourself dirty to imagine it.
You’ve got to get down on all fours and bark.
____________

I became a tiny eye to see into the eye of a sparrow,
a cricket’s eye, a baby’s eye; when I looked
at the night sky I made my eye as big as history, for
the night sky is a kaleidescope of past-times,
as noted astronomer Carl Sagan said. I watched TV and
made my eye a TV: lidless, rash gazer at whatever happens,
casting shadows of what happens for the neighbors,
whose eyes are the size of windows, my windows, and sharpen
their sight to voluptuous desire, voyeur voyeur
pants on fire. Anything half-seen becomes what’s on,
becomes the neighbors’ newscast, lotto drawing, rerun.
How do you know a child had died, except by watching
trays of casseroles brought in, the old sit down,
peoples’ bodies doing as bodies will against the wall?
—Dan Chiasson

Dan Chiasson is the author of two books of poetry, The Afterlife of Objects and the forthcoming Natural History.

the hard bright sky (Ibykos)

"henceforth, o living matter, you are
merely a granite rock, wrapped in shapeless terror..."

(baudelaire, spleen)

i

"the innate victimhood of I am this, a frozen target to be ghettoized into the back of the store." kari edwards

God's Disgusted Awareness (a good but controversial poem)

Schadenfreude
In memory of Otto Dix

If pushing limb
through an eggshell
were easier—"Weeste noch?"

not entirely
more daunting, say—
"Sehr wirklich Leben,"

thousands of
daisy cutters, der
Selbstermörd (1000 lb/in2),

might've led one
to meadows, however
miniscule, of quiet.—

But looking on
long enough, "Nache
diese Platter dort."—

one becomes
drowsy,—feels anemic.
"Relative," he said,

"—to naught."
No voice. Stilleben.
And all is graceful.